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George Hunter was born in 1918 in Columbus, Ohio. He studied piano, cello, and trumpet in high school, and graduated from Indiana University. He was accepted to study piano in Paris with Nadia Boulanger, but the war intervened and he spent five years in the army, serving as a band leader in Georgia. After the war, he went to Yale to study composition with Paul Hindemith and received his Masters Degree in 1947. He joined the University of Illinois faculty in 1948, where he taught music theory, composition, counterpoint, harpsichord and early music performance. Hunter probably began playing viols and recorders at Yale, though it is not clear whether he played the viola d'amore. Hindemith ran a Collegium Musicum at Yale, which might have influenced George Hunter to form the first Collegium Musicum at the University of Illinois in 1951. In 1963 he received a grant from the Ford Foundation to travel to Holland for year to study early choral music, and when he returned he founded the University of Illinois Concert Choir, which he conducted until his retirement in 1982. He passed away on March 26, 2011.
This Collection is indexed under the following controlled access subject terms.
Donation
Organized into three series. Series 1: Realizations and Arrangements of Baroque Music for Collegium Musicum and UI Chamber Choir Concerts and Albums, Series 2: Sound Recordings of Collegium Musicum, UI Concert Choir, and other School of Music Performances, Series 3: Collegium Musicum Records and Photos, School of Music Programs.
Consists of reel-to-reel sound recordings, programs, newspaper clippings, photographs, and music documenting the early development of the University of Illinois' Collegium Musicum ensemble between 1948 and 1982.
Consists of edited manuscript and published scores and notes. Arranged alphabetically by composer and alphabetically by title thereunder.
Parts: triplum, duplum, tenor. School of Worcester.
2 part canon (2 voice parts). 14th century.
Parts: tamborine, superius, tenor, bassus, altus, drum.
Parts: vielle and recorder. 13th century.
9 full scores, parts: descant I, tenor, descant II, bassus. Chansonneirin Bibliotech Columbina, Seville.
"Hor oires une chanzon" and "Brunette." Parts: 1st treble, 2nd treble, 1st tenor, 2nd tenor, bass.
Also included: "Een sottecluytte." Parts: Cantus, Tenor, Bassus.
(Virelais). Score for voice and solo instrument. "ApFSM#62."
"Rondeau." Dijon 517. Parts: tenor, contratenor.
13th century. Full score.
O Maria maris stella. Full score.
14th century. Full score for 3 parts. Parts: tenor, contratenor.
Br. Mus. Add. 29987.
Premes i garde. Score for two voices. Parts: rebec, recorder.
15th century. Full score, parts: contratenor, tenor/vielle.
[Estampie]. Br. Museum, Add. 29987.
Full score. Several drafts.
Full score. Several drafts.
Full score, 3 copies. "+1491."
Parts: descant. Also included: "Helas, que poray-je?" Parts: tenor, cantus, contratenor.
Full score. Also included: "Inter natos mulierum." Parts: descant, tenor, contratenor.
Parts: tenor, coutertenor, discant.
Parts: vielle, ct. tenor recorder, voice, tenor, contratenor.
"Original a 4th lower." 4 scores for two voices.
a 4. Ap FSM #67. Parts: rebec, krummhorn, tenor, c.t.
"Memory." Melody with fingered bass.
Parts: bass, tenor, alto, discant. Also included: "He logerons nous" by Ysac (Henreich Issac).
Apel No. 27. Score (3 parts, one vocal).
4 full scores (3 parts, one vocal).
Edits added to published score.
Parts: alto, discant, bass, tenor.
Parts: descant, tenor, contratenor.
Parts: soprano, tenor, alto, bass.
Full score (superius, contra, tenor, bassus). Several drafts.
Printed score with written-in English translations and other markings.
Several drafts of edited score.
4 copies of full score with lyrics.
Photocopy of manuscript score.
Parts: descant, tenor, contratenor (bass), tenor.
Parts: soprano, alto, tenor I, tenor II, bass.
Copy of manuscript score.
Various drafts of full score.
Full score with added markings.
Various drafts of score and some supplementary material.
Various drafts of score.
Reduction 1:2. 2 scores with edits. Photocopy.
Parts: descant, tenor, contratenor (bass).
Score for two voices. Parts: recorder, vielle, bass viol.
Published score with written-in edits and notes.
Full score with edits written in.
No. 64 Odhecaton. Parts: descant, contratenor (bass), tenor.
2 published scores with written-in edits and notes.
2 published scores with written-in notes.
Published score (discant, tenor bariton, bass) with added notes and edits.
"Allegez moy" and "Petite camusette." Two published scores and subsequent arrangement.
Edited scores and supplementary material.
Alternate title: "Adieu m'amour, adieu ma joye." Full score (several drafts). Parts: descant, tenor, superius, contratenor.
Edited drafts of full score.
3 parts (rebec, organ, and unidentified instrument).
Several drafts of edited score. Parts: tenor, vielle, contratenor, soprano & tenor, lute (contratenor).
Rondeau. 2 full scores (for descant and tenor). Parts: descant, tenor, contratenor.
Parts: descant, tenor, contratenor. Songs: "Adieu quitte le demeurant," "Belle que vous," "Le jour s'endort," "Vergine bella."
Several edited scores.
Several edited scores. Parts: tenor, contratenor.
1425, a di 12 luio. Parts: primus, secundus, tertius.
H.A.M. 67. Ballade. 4 copies of score.
Parts: contratenor & tenor, superius. With markings and transposed versions.
4 manuscript scores. 2 discant parts.
Squarcialuppi Codex. Parts: contratenor, discant, tenor.
Marked score.
From Arie Musicali, 1630. 3 scores for piano and voice.
Parts: treble, bass, tenor I, tenor II.
Several scores with edits. Parts: superius, countertenor/vielle.
Full score (medius I, medius II, contratenor I, contratenor II, tenor, bassus). Photocopy.
Parts: discant, tenor, contratenor.
2 scores, parts for vielle and alto recorder.
Manuscript parts: portative (organ), rebec.
"In sleep's sweet oblivion." Cantat for Soprano voice, Treble Recorder & Keyboard. Edited and arranged by Walter Bergmann and Edgar Hunter. English words by Norman Platt. Written-in edits.
Figured bass realized by George Hunter. Score and parts: recorder/flute, violin, cello.
Realization by George Hunter. Full score. Manuscript.
Sonata in F Major for recorder and figured bass, Op. 1, Nr. 11. Realization by George Hunter. Published score with pasted in edits.
4-part choral score.
Parts: vielle, superius, bassus.
Parts: tenor, bass, 2nd half of unidentified part.
Photocopy of score. Parts: tenor, contratenor.
7 scores. Parts: tenor and unidentified.
5 scores for three voices.
Two scores for tenor, contratenor, and discant.
2 scores (for 3 unspecified parts).
"Madrigale." 2 scores.
Parts: contratenor, descant.
Parts: treble I, tenor II, treble II, bass I, bass II, tenor I.
Edited by George Hunter. 4 scores and 2 flute parts.
2 scores for high instrument and figured bass.
Trio Sonata in D Major. For violin or flute, viola da gamba (violoncello), and basso continuo. Full score. B.C. G. Hunter.
Score for 5 voices.
Various scores and parts (soprano, alto, tenor, recorder).
Vocal score and parts: recorder (2 keys), treble viol, vielle.
Parts: tenor, contratenor, bassus, recorder, superius, viol.
Score and parts: contratenor, bass, tenor, supurius
1 score, parts: rebec, superius, gamba, flute (recorder), treble, bass, 3 unidentified parts (on the back: Die katzenpfote).
Parts: descant (vielle), bass, tenor.
Parts: discant, bass, tenor. Also on page: "O Rosa Bella" by John Dunstable.
Score for descant, triplum, and tenor. Parts: descant, tenor.
Parts: duplum, tenor, triplum.
3 scores (for 3 vocal parts).
4 scores for two voice parts, one part.
One score. Parts; tenor, contratenor, unidentified.
3 parts: hoquetus, tenor, triplum.
2 drafts and 1 vocal score with lyrics.
Parts: recorder/rebec, vielle/tenor, lute/contratenor.
Score. Parts: cantus, tenor (2), contratenor (2).
Score for two voice parts and tenor part.
2 scores. Part: middle vocal part.
1 score. Parts: contratenor (2), tenor (2), triplum (2), unidentified vocal part.
Score for voice and lute, and unidentified part.
3 scores (one arranged for keyboard). Parts: triplum, contratenor, tenor.
Score (for 3 vocal parts). Parts: contratenor, descant, tenor.
For viola da gamba and continuo. Realization by George Hunter. Various drafts of full score, notes, and drafts of program notes.
Manuscript score for solo instrument and figured bass.
Madrigali e Canzonette. Libro Nono 1651. 2 scores for piano and two voices.
Il Quinto Libro de Madrigali, 1605. Published score with added edits and translations.
Canzonetta a due voci concertata con duoi violini, chitorone o spinetta (from Concerto, Settimo Libro 1619). Alternate title: Chiome d'oro, bel tesoro. Manuscript score. Parts: violin I, violin II, viola da gamba, contrabass.
7th Book of Madrigals. Several scores in various states of editing. Notes and program note drafts. Parts: spinetta (and voice), violin I (choro II), violin II (choro II), violin III (choro II), viola I (choro II), viola II (choro II), cello (choro III), gamba I (choro III), gamba II (choro III), contrabass gamba (choro III), harpsichord I (choro II), harpsichord II, organ (choro III), lute.
"Ghirlanda Sacra scritta da Diversi Eccelentissimi conpositori de varij Motetti a voce sola. Libro Prima. Opera Seconda. Per Leonardo Simonetti Musico nella Capella del Serenissimo Prencipe ... Venice, Gardano, MDC XXXVI). Raccolta Leonradi Simonetti 1625. Realization by George Hunter. Score with edits.
Several edited scores. One part for harpsichord. Notes and drafts.
7th Book of Madrigals, 1619. "Concerto. Settimo Libro de Madrigali a 1.2.3.4. & sei voci, con altri genere de Canti. Novamenta Datto in Luces MDCXIX." 3 scores with edits.
Accompaniment realized by Goerge Hunter. Edited score for piano and voice.
Harpsichord realization by George Hunter. Parts: harpsichord, violin I, violin II, cello, contrabass.
Parts: treble, tenor I, tenor II, bass.
Score with text added.
Oversize. Score edited by George Hunter.
Edited by George Hunter. "Rome Bibl. Vat. Cap. Sist. 46 115v-118. Florence Bibl. Ricc. 2794 11v-13." Score.
Edited score.
Manuscript score.
Edited score.
Several edited manuscript scores.
Edited by George Hunter. Several scores. Notes, drafts, and program notes.
3 different scores.
Edited by George Hunter. Rome, Bibl. Vat., Cap. Sist. 42. One edited manuscript score, one published score (New York Pro Musica Series, Associated Music Publishers, New York).
Apel #1. Two parts.
Score and parts: tenor, contratenor.
Apel Nr. 6. Score and parts: tenor, contratenor.
Realized by George Hunter. Score and parts: violin I, violin II, viola da gamba.
Score with markings.
Score with markings and parts: violin I, violin II, cello.
Scores arranged by various editors (including Suzuki Cello School Book 8), score with Hunter edits. Correspondence related to the publication of Hunter edits.
Edited score for three vocal parts.
Parts: tenor, tenor recorder, alto, bass. Also included: score of "Entlaubet ist der Walde" by Thomas Stolzer.
Manuscript score for tenor and bass, recorder part.
Apel No. 49. 3 scores. Parts: tenor, unspecified high part.
3 unidentified parts.
Arrange pour Viole d'Amour et piano par George Hunter. Manuscript score with note by Hunter.
Parts: tenor I, tenor II, bass, treble. Also included: "Danceries" by Cl. Gervaise. (Treble, tenor I, tenor II, bass.)
2 marked scores. 1 note.
Composed: Feb. 14, 1649. Piano score with markings.
Several published scores with markings.
Gibbons - The Cries of London; Tye - Trye (In Nomine); Lawes - Pavan; Tye - Howld Fast; Coperario - Fantasy of 5 Parts; Tye - Two In Nomines; Tye - Saye So; Senfl - Entlaubet ist der Walde; Senfl - Carmen in Re; Senfl - Das Galut zu Speyer; Finck - Greiner Zanner; Liederbuch - Two Dances; Senfl - Ich weiss nit, was er ihr verheiss; Senfl - Zwischen Berg und tiefen Tal; Senfl - Ewiger Gott; Liederbuch - Senliche not freu und spat; Senfl - Tandernac; Peuerl - 9th Dance Suite from "newe Padouan, 1611"; Peuerl - 10th Dance Suite from "Newe Paduan, 1611."
"The music of Dufay, Josquin, Monteverdi." Directed by George Hunter. Friday, May 26, Hertz Hall, 8:30pm. University of California, Berkeley.
Consists of reel-to-reel tape, LP, and CD recordings of performances and auditions. Organized into three sub-series: Sub-Series 1: Collegium Musicum Recordings, Sub-Series 2: UI Concert Choir Recordings, Sub-Series 3: Other School of Music Performances.
Arranged chronologically.
Recording ID: 1. Performers: Hunter, Garvey, Lundgren, Snyder. Side A: Pavane - Bittre Rene, Pass'emezo ditto il Romano. Side B: Senfl - Herzliches Bild, Tourdien - C'est Grand Plaisir. 12 inch LP disc, 78 rpm.
Recording ID: 2. Performers: Hunter, Snyder, Hagen, J. Noorman, Garvey. Side A: 1) Dufay - "Mon chier amy," 2) Dunstable - O Rosa Bella." Side B: 1) Dunstable - "O Rosa Bella," 2) Glogauer Liederbuch - Christ ist erstanden, 3) Glogauer Liederbuch - Ich sachs eins mals. 12 inch LP disc.
Recording ID: 3. Performers: Hunter (treble viol), Garvey (tenor viol), Snyder (tenor viol), Hagan (bass viol). Side A: 1) "Freuntlich begir senet sich nach dir" - Glogauer Liederbuch, 2) "Helas, c'est n'est pas sans raison" - Jo. Stokem. Side B: Goivanni Coperario - 3 part Fantasia. 12 inch LP disc.
Recording ID: 4. Performers: Jantina Noorman with Snyder, Hunter, Hagen, Lundren, and Sheils. Side A: 1) Byrd - Ah Seely Soul (2:51), 2) Anon. - Or circe une chanzon (1:13). Side B: Chr. Tye - Trye, In Nomine (2:03). 12 inch LP disc.
Recording ID: 5. Performers: Snyder, Hagen, Hunter, Sheils. Side A: Byrd - Fantasia a 4 (3:15). Side B: Byrd - Fantasia a 4 ("other side better"). 12 inch LP disc.
Recording ID: 6. Performers: Noorman, Snyder, Hunter, Hagen, Sheils. Side A: 1) Byrd - My sweet little darling (1:22), 2) Compere - Alons, ferons barbe. Side B: Byrd - Lord, to thee I make my moan. "Good recording on 7a." 12 inch LP disc, 78 rpm. Start: out.
Recording ID: 7. Performers: Noorman, Snyder, Hunter, Hagen, Sheils. Side A: 1) Obrecht - Tsat een meskin (1:45), 2) Wm. Byrd - Lord, to thee I make my moan. Side B: Ich stund an einem Morgen (1:27), 1) Senfl, 2) Isaac, 3) Greiter. 12 inch LP disc, 78 rpm. Start: out.
Recording ID: 8. Performers: Noorman, Snyder, Hunter, Hagen, Sheils. Side A: Ich stund an einem Morgan (2:12), 1) Senfl, 2) Finck. Side B: Danceries. 12 inch LP disc, 78 rpm. Start: out.
Recording ID: 9. Performers: Snyder, Hunter, Hagen, Sheils. Side A: 1) Danceries, 2) Ferrabosen: Fantasy of 4 Parts. Side B: Coperario: Fantasy of 4 Parts. 12 inch LP disc, 78 rpm. Start: out.
CD copy of LP: Westminster XWN 18166, Vega C 30 A 80. Information sheet enclosed. Performers: Collegium Musicum of the University of Illinois, George Hunter - director.� 1) Motet : Pourquoy me bat mes maris? 2) Ballade : Ma chiere dame, 3) Ballade : Tres douce dame que j'aour, 4) Virelai : Tres bonne et belle, 5) Rondeau : Douce dame tant com wivray, 6) Ballade : De toutes flours, 7) Virelai : Douce dame jolie, 8) Motet : Dame, je sui cilz, 9) Rondeau : Rose, liz, printemps, verdure, 10) Ballade : Mes esperis, 11) Lai : Loyaute, que point de delay, 12) Ballade : Amours me fait desirer, 13) Virelai : Se je souspir parfondement, 14) Virelai : Plus dure que un dyamant.
CD copy from LP: The University of Illinois School of Music "Custom Recording Series" CRS 8. Information sheet enclosed. Performers: Collegium Musicum of the University of Illinois. George Hunter, director. Mass for the Dead: 1) Introit : Requiem aeternam, 2) Kyrie : Kyrie Eleison, 3) Gradual : Si ambulem in medio, 4) Tract : Sicut servus desiderat, 5) Offertory : Domine Jesu Christe. Motet : 6) Salve Regina, Mater misericordiae. Lament : 7) Lament on the death of Gilles Binchois : Mort, tu as navre.
Performer: George Hunter. Side A: I. Allegro. Side B: Theme and Variations. 12 inch LP disc, 78 rpm. Start: out.
Recording ID: 1. 12 inch LP disc.
Recording ID: II. 12 inch LP disc.
Recording ID: III. 12 inch LP disc.
Recording ID: IV. 12 inch LP disc.
"Quality not very good." Program enclosed. Fifteenth century music. 1) Chanson : Amours merchi (Binchois), 2) Chanson : Filles a marier (Anonymous, Chansonier), 3) Motet : Ave Regina Coelorum (Dufay). Thirteenth century music. 4) Motet : S'on me regarde (Anonymous), 5) Rondeau : Li doux regard (de la Halle), 6) Dance : Saltarello (Anonymous). German music. 7) Ich bins erfreut (Liederbach), 8) Du Lenze gut (Liederbuch), 9) Dance : Die Katenpfote (Liederbuch), 10) Ich stund an einem Morgen (Senfl), 11) Douce dame jolie (de Machaut), 12) Donna perche mi spregi (Landini), 13) Ecco la primavera (Landini) . Seventeenth century. 14) Dialogue : Bel pastor, dal cui bel guardo (Monteverdi). 1/4 inch acetate tape on 7 inch reel. Single channel, half track, 7 1/2 ips.
"Reel 1." 1/4 inch polyester tape on 7 inch reel. 1/4 track, stereo, 7 1/2 ips.
Recording location: ASUC Radio-TV Theater, Eshleman Hall, University of California, Berkeley. "Reel II." 1/4 inch polyester tape on 7 inch reel.
Includes notes and program. Recording location: Smith Music Hall. Performers: Jantina Noorman, Uni Thomas, James Cobb, Robert Smith, George Hunter (director). 1) Ich bins erfreut (Liederbuch), 2) Du Lenze gut (Liederbuch), 3) Dance : Die Katzenpfote (Liederbuch), 4) Ich stund an einem Morgan (Liederbuch), 5) Ich stund an einem Morgen (Senfl), 6) Ich weiss nit was er ihr verhiess (Senfl), 7) Motet : Ave Regina Coelorum (Dufay), 8) Ballata : Ecco la primavera (Landini), 9) Ballata : Donna, perche mi spregi (Landini), 10) Ballata : Gram piant' agli occi (Landini). 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Tail out.
Includes program. Performers: Jantina Noorman, Uni Thomas, James Cobb, Robert Smith, and George Hunter (director). 11) Rondeau : Douce dame, tant com vivray (Machaut), 12) Ballade : De toutes flours (Machaut), 13) Chace : So je chant mains que ne seul (Anonymous), 14) Motet : Dame, je sui cilz and Fins cuer doulz (Machaut), 15) Virelai : Douce dame jolie (Machaut), 16) Motet : Prendes y garde (Anonymous 13th c.), 17) Rondeau : Dame, or sui trais (de la Halle), 18) Rondeau : Li doux regard (da la Halle), 19) Dance : Saltarello (Anonymous). 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips, tail out.
Includes program. Performers: Jantina Noorman, Uni Thomas, James Cobb, Robert Smith, George Hunter (director). Music of Claudio Monteverdi. 20) Dialogue : Bel pastor dal cui bel guardo, 21) Quel squardo sdegnosetto, 22) Lettera amorosa : Se i languidi miei squardi, 23) Romanesca : Ohime, dov'e il mio ben, 24) Chiomo d'oro, bel tessoro. 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips, tail out.
Performers: Jantina Noorman (mezzo soprano, portative organ, percussion), Uni Thomas (rebec, vielle), James Cobb (tenor, percussion), Robert Smith (baritone, recorders, krummhorn, portative organ), George Hunter (tenor, lute, viola da gamba, krummhorn). Burgundian Court Music (15th century). 1) "Ce moy de may" (Dufay), 2) "Amours, merchi" (Binchois), 3) "La belle se siet" (Dufay), 4) "Filles a marier" (Anonymous). French 14th century music. 5) "De toutes flours" (Machaut), 6) "Douce dame jolie" (Machaut), 7) "Notes pour moi cette ballade" (de Caserta), 8) "Mais qu'il vous legne" (Anonymous). Italian 14th century music. 9) - , 10) "Si dolce non sono" (Landini), 11) "Donna, perche" (Landini), 12) Ecco la primavera (Landini). 1/4 inch acetate tape on 7 inch reel. Tail out.
Reel 2 of 2. Note enclosed. 1/4 inch polyester tape on 7 inch reel. 1/2 track, stereo.
Reel IV. Includes program and notes. Recording location: University Place Christian Church. Director: George Hunter. 1) Motet: Salve Regina, mater misericordiae, 2) Lament on the death of Gilles Binchois : "Mort, tu as navre," 3) Mass for the Dead - Introit : Requiem aeternam ..., Kyrie : Kyrie eleison, Gradual : Si ambulem in medio ..., Tract : Sicut cervus desiderat, Offertory : Domine Jesu Christe ...., 4) Missa "Fors seulement" - I. Kyrie eleison ..., II. Gloria in excelsis Deo ... III. Credo in unum Deum .... 1/4 inch polyester tape on 7 inch reel. Full track, 7 1/2 ips.
Arranged chronologically.
Information sheet enclosed. Four motets. Performers: University of Illinois Chamber Choir. George Hunter, conductor. CD copy of LP: Nonesuch H-71 206, Nonesuch 32 802. Missa "Ave maris stella" 1) Kyrie, 2) Gloria, 3) Credo, 4) Sanctus - Benedictus (20'25"). Motets. 5) Tu solus, qui facis mirabilia, 6) Mittit ad virginem, 7) Absalon fili mi, 8) Save Regina (22'30").
"Reel V." Mass for the Dead - Ockeghem. Introit, Kyrie, Gradual, Tract, Offertory. Monaural. 1/4 inch acetate tape on 7 inch reel. Full track, 7 1/2 ips.
Programs enclosed. Location: University Place Christian Church. George Hunter, conductor. 1) Hark, All Ye Lovely Saints Above (Weelkes), 2) Stay Corydon, Thou Swain (Wilbye), 3) Hymn : Jam Christus astra ascenderat (Tallis), 4) Two Songs from Opus 104 (Brahms), Songs from 16th Century German Liederbucher and Paul Hindemith's Liederbuch Op. 33. 5) Ich stund an einem Morgen (Isaac), 6) The Devil a Monk Would Be! (Hindemith), 7) Entlaubet ist der Walde (Stoltzer). 1/4 inch acetate tape on 7 inch reel. 1/2 track, mono, 7 1/2 ips. Tail out.
Program enclosed. Location: University Place Christian Church. George Hunter, conductor. 8) Lady's Lament (Hindemith), 9) Of Household Rule (Hindemith), 10) Der Gutzgauch auf dem Zaune sass (Lemlin), 11) Credo (Patrem de village) (Ockeghem), 12) Two Madrigals (Gesualdo), 13) Two Madrigals (Monteverdi). 1/4 inch acetate tape on 7 inch reel.
Program and note enclosed. Location: University Place Christian Church. George Hunter, conductor. 14) Two Madrigals (Monteverdi). 1/4 inch polyester tape on 7 inch reel.
Program enclosed. Music of Josquin Desprez. Recording location: Smith Music Hall. Performers: Chamber Choir. George Hunter, conductor. Motets: 1) Ave caro Christi cara, immolata cruce ara (7:34), 2) Tu solus, qui facit mirabilia (4:05), 3) Absalon, fili mi, quis det ut moriar pro te (3:42), 4) Salve Regina, mater misericordiae (6:34), 5) Mittit ad verginem (7:37). 1/4 inch acetate tape on 7 inch reel. 2 track stereo, 7 1/2 ips. Head out.
Program and note enclosed. Music of Josquin Desprez. Recording location: Smith Music Hall. Performers: Chamber Choir. George Hunter, conductor. 6) Missa Ave Maris Stella (21:34) a) Kyrie eleison - Christe eleison - Kyrie eleison, b) Gloria in excelsis Deo - Qui tollis peccata mundi, c) Credo in unum Deum - Et resurrexit, d) Sanctus - Pleni sunt coeli - Hosanna - Benedictus - Hosanna, e) Agnus Dei: I - II - III. 1/4 inch acetate tape on 7 inch reel. 2 track stereo, 7 1/2 ips. Head out.
Note enclosed. Composer: J.S. Bach. Performer: Chamber Choir. 29 min. 1/4 inch acetate tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips. Head out.
Note enclosed. Performer: Chamber Choir. Composer: J.S. Bach. 26 min. 1/4 inch acetate tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips. Head out.
Note enclosed. Performer: Chamber Choir. Composer: J.S. Bach. 1/4 inch acetate tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips. Head out.
Note enclosed. Performer: Chamber Choir. Composer: J.S. Bach. 1/4 inch acetate tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips. Head out.
Various programs and notes enclosed. Music of Josquin Desprez. Recording location: University Place Christian Church. Dubbing of master tape used for Nonesuch Records. Motets: 1) Mittit ad Virginem, 2) Tu solus, qui facit mirabilic, 3) Absolon, fili mi, 4) Salve Regina. 1/4 inch acetate tape on 7 inch reel. 2 track stereo, 7 1/2 ips.
Notes enclosed. Music of Josquin Desprez. Recording location: University Place Christian Church. Dubbing of master tape used for Nonesuch Records. 5) Missa Ave Marsi Stella, 6) Ave caro Christe cara. 1/4 inch acetate tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips.
Performer: Chamber Choir. Recording location: Smith Hall. Trio Sonata - Flute Sonata. 1/4 inch polyester tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips.
Performer: Chamber Choir. Recording location: Smith Hall. Violin Sonata - Brandenberg. 1/4 inch polyester tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips. Head out.
Arranged chronologically.
Note enclosed. Concert. Marais (cont. - last 2 movements). Clerambault - Cantata. 1/4 inch acetate tape on 7 inch reel.
Reel II. Note enclosed. From concert. 1) Couperin : L'Aporteus de Corelli (13:10), 2) Marais : Suite (cont. on SMH 310) (20:10). 1/4 inch acetate tape on 7 inch reel.
Note enclosed. Side I: 1) Cello Concerto - Hindemith, 2) Trio (fl., vla., hp.) - Debussy. Side II: 1) Trio (Heckelfon, vlc., p.) - Hindemith, 2) Kleine Kammermusik, Op. 24, No. 2 - Hindemith. 1/4 inch polyester tape on 7 inch reel. 1/4 track stereo, 7 1/2 ips.
1) Mute cornett and lute (Wade Piger - Frans Layolle), 2) Rem. Bass flute (Alphonso X), 3) Bass Kortnalt (Alphonso X), 4) Curoed cornetta, 5) Voice flute (recorder in D) - Telemann Fantasia. 1/4 inch acetate tape on 5 inch reel. 1 side, 1/2 track. 7 1/2 ips.
Note enclosed. Recording location: Smith Music Hall. Performers: Delany, Farrell, Hunter. Rameau: Pieces Le Clavecin en Concert. 1/4 inch acetate tape on 7 inch reel. 15 ips.
Note enclosed. Recording location: Smith Music Hall. Performers: Charles Delaney (flute traversiere), Peter Farrell (basse de Viole), George Hunter (clavecin). Rameau: Pieces de Clavecin en Concert (2nd Suite). 1) La Laborde (5:20), 2) La Boucon - Air Gracieux (4:00), 3) L'Agacante (2:24), 4) Menuets I et II (4:18). 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Tails out.
Note enclosed. Recording location: Smith Music Hall. Performers: Delaney, Farrell, Hunter. 1) Trio - LeClair, 2) Con che soavitz - Monteverdi. 1/4 inch acetate tape on 7 inch reel. 15 ips.
1/4 inch polyester tape on 7 inch reel. 1/4 track stereo. Tails out.
Program enclosed. Recording location: Smith Music Hall. Performers: Lucy Bardo (guest artist, viola da gamba), John Fonville (flauto traverso), Genette Foster (baroque violin), George Hunter (harpsichord). Side A: 1) Cinquieme Concert : La Forqueray, La Cupis, La Marais (Jean-Phillippe Rameau) - 12:58, 2) Quatrieme Suitte : Prelude, Allemande, Gavotte, Gigue - Vivement, Caprice - Gay, Muzette I et II, La Suitillante - Legerement, Rondeau Loure (Marin Marais) - 15:37. Side B: 1) Sonata a Trois : Adagio, Allegro, Sarabande, Allegro assai (Jean-Marie Leclair) - 10:27, 2) Suite en F majeur : Prelude non mesuree, Allemande grave, Courante, Sarabande, Gigue, Chaconne, Tombeau de Mr. Blancrocher (Louis Couperin) - 15:15. 1/4 inch polyester tape on 7 inch reel. 1/4 track, 7 1/2 ips.
Program enclosed. Recording location: Smith Music Hall. Performers: Lucy Bardo (guest artist, viola da gamba), John Fonville (flauto traverso), Genette Foster (baroque violin), George Hunter (harpsichord). Side A: 1) Sonata, Opus 9, No. 5 : Andante, Allegro assai, Adagio, Allegro ma non troppo (Jean-Marie Leclair) - 15:50, 2) Troisieme Concert : La La Popliniere, La Timide : Rondeau gracieux I et II, Tambourin I et II en rondeau (Jean-Phillippe Rameau) - 11:30. 1/4 inch polyester tape on 7 inch reel. 1/4 track, 7 1/2 ips.
Performers: G. Foster, G. Perich, J. Winking, G. Hunter. 1) Sinfonia Concertante - Violin, Viola, and Orchestra (Mozart), 2) Trio - Clarinet, Viola, Piano (Mozart). 1/4 inch polyster tape on 7 inch reel.
Recording location: Smith Music Hall. Konzertmusik for Piano and Brass (Hindemith). 1/4 inch acetate tape on 7 inch reel.
Note enclosed. Concert Music for Orchestra of Wind Instruments, Op. 41 (Paul Hindemith). 15:00. 1/4 inch acetate tape on 7 inch reel.
Jazz 78's. 1/4 inch polyester tape on 7 inch reel. Tail out.
Performer: U of I Wind Ensemble. George Hunter, conductor. 15:04. 1/4 inch polyester tape on 5 inch reel. 2/2 stereo, 7 1/2 ips.
Consists of Collegium Musicum programs, clippings, and program notes, as well as other School of Music programs. Arranged chronologically.
Photos of performances, rehearsals, and instruments.
Performances at the UI School of Music. Organized chronologically.