.
By Dan Andree, Nolan Vallier, and Laurel Post
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Collection Overview
Title: Scott Wyatt Personal Papers and Sound Recordings, 1961-2018![Add to your cart. Add to your cart.](themes/library_web/images/addtocart.gif)
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ID: 12/5/73
Primary Creator: Wyatt, Scott (1951 -)
Extent: 8.25 cubic feet
Arrangement:
Organized in four series: Series 1: Non-commercial Sound Recordings, ca. 1978 - 2018; Series 2: Commercial Sound Recordings, ca. 1985 - 1987; Series 3: Scott Wyatt Experimental Music Studios Papers, ca. 1961 - 1984, which is organized into two sub-series: 1) Experimental Music Studios 40th Anniversary Exhibit Photographs and Labels, and 2) Experimental Music Studies pomotional materials and compositions; and Series 4: Personal Papers.
Series 1 and 2 are arranged in original order. Series 3, Sub-Series 1 is arranged by exhibit subject. Series 3, Sub-Series 2 and Series 4 are unarranged.
Date Acquired: 06/12/2017. More info below under Accruals.
Subjects: Compositions-Music, Computer Music, Electronic Music, Music Composition, Music teachers
Languages: English
Scope and Contents of the Materials
Consists of sound recordings, photographs of the University of Illinois' Experimental Music Studio used for its 40th anniversary, and posters and reports documenting Scott Wyatt's work as a School of Music faculty member and director of the Experimental Music Studio, and his work as a composer throughout his career at the University of Illinois between 1974 and 2014. Also included in these papers is the complete computer code used by Lejaren Hiller to create his computer composition, "Avalanche" completed in 1970.
Biographical Note
Scott Wyatt (b. 1951) studied Music Education and Piano Performance at West Chester University in Pennsylvania in 1970 where he also studied music composition with Larry A. Nelson and John Melby. After graduating with his bachelors degree, Wyatt continued his studies at the University of Illinois at Urbana-Champaign in 1974, where he studied composition with John Melby, Herbert Brun, Ben Johnston, Salvatore Martirano, and Paul Martin Zonn. In 1975 Wyatt was hired as composition faculty lecturer and co-director of the Experimental Music Studios with James Beauchamp. In 1976, he was awarded a tenure track faculty position and became the director of the Experimental Music Studios. He retained that title until 2016, when he retired from the University of Illinois.
Wyatt composes music for a variety of ensembles and genres including works for theatre, voice, acoustic instruments, electroacoustic music, and music for dance, documentary film, radio, television, and laser shows. Wyatt has won several awards for composition including: the 1978 International Society for Contemporary Music National Composers Competition, the 1979 National Flute Composition Competition, the 1979 Concorso Internazionale Luigi Russolo Composition Competition, and the 1984 International Confederation of Electro-Acoustic Music Grand Prize at the International Electro-Acoustic Music Competition in Bourges, France. In 1985 he was awared the University of Illinois University Scholar Awared as part of the University's first class of University Scholars to acknowledge nationally and internationally recognized achievement and distinction as a faculty member of the university. In addition, Wyatt has received several awards for his teaching and research including: the 1990 Arnold Beckman Research Award for the development of digital timescaling applications, numerous grants between 1996 and 2011 for live performance methodology for eight-channel sound diffusion and sound spatialization, a 1991 Illinois Arts Council Award, a 1994 Educational Technologies assistance grant for course development, a 1997 College of Fine and Applied Arts Outstanding Faculty Award, a 1998 appointment as an Associate in the UIUC Center for Advanced Study, and a 2008 Fine and Applied Arts Creative Research Award for the collaborative composition for electroacoustic music with live continuum performance and two giant 900,000 volt Tesla coils, titled "Risky Business: a Tribute to Nikola Tesla." Among other compositions, Wyatt was commissioned in 1989 by the Champaign-Urbana Symphony to create "Time Pinnacle" for Orchestra, electroacoustic music, visual projections, and lasers for the Beckman Institute dedication. In addition, in 1995, he was commissioned by the Krannert Center for the Performing Arts to create an opening compositions (for 6 choral octetes, percussion, conductor, and 8-channel electroacoustic music involving 600 lighting cues), title "Visions in Time" for the KCPA 25th Anniversary Gala Commemoration.
Wyatt is also known for his development and application of positional three-dimensional audio imaging and spatialized audio recording techniques designed for discrete 8-channel performance. His compositions are recorded on Capstone, Centaur, GMEB Cultures Electroniques Series, Library of Congress, MARK, OFFICE, Music from SAMUS, UBRES, and VERIATZA recordings.
Subject/Index Terms
Administrative Information
Repository:
The Sousa Archives and Center for American Music
Accruals:
Additional photographs and news clippings were received from Scott Wyatt on November 13, 2017. Additional sound recordings were received from Scott Wyatt on April 16, 2018
Acquisition Source:
Scott Wyatt
Acquisition Method:
Gift
Related Materials:
For further information about other Lejaren Hiller sound recordings and personal papers please visit the University at Buffalo's Lejaren Hiller Papers. For more information please see https://research.lib.buffalo.edu/hiller.
Box and Folder Listing
Browse by Series:
[Series 1: Non-commercial Sound Recordings, ca. 1978 - 2018],
[
Series 2: Commercial Sound Recordings, ca. 1985 - 1987],
[
Series 3: Scott Wyatt Experimental Music Studios Papers, ca. 1961 - 1998],
[
Series 4: Personal Papers, 1975-2017],
[
All]
- Series 1: Non-commercial Sound Recordings, ca. 1978 - 2018
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- Audio Tapes and Compact Discs documenting Scott Wyatt's compositions and role in the Experimental Music Studios.
- Box 1
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- Item 1: Poems, 1989
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- Acetate Tape Reel
- Item 2: Trans, Undated
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- Acetate Tape Reel
- Item 3: Real Illusion, Undated
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- Acetate Tape Reel
- Item 4: Time Mark (Master with lighting cues), Undated
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- Acetate Tape Reel
- Item 5: All for One, Undated
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- Acetate Tape Reel
- Item 6: Time Mark 30 IPS Master, Undated
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- Acetate Tape Reel
- Item 7: Time Mark lighting, Undated
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- Acetate Tape Reel
- Box 2
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- Item 1: Master - Four for Flute, Undated
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- Acetate Tape Reel
- Item 2: On, Focus On - Four for Flute, Undated
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- Acetate Tape Reel
- Item 3: Real Illusion, Undated
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- Acetate Tape Reel
- Item 4: V-86-1 Record Master (side 1), Undated
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- Acetate Tape Reel
- Item 5: V-86-1 Record Master (side 2), Undated
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- Acetate Tape Reel
- Item 6: Time Pinnacle, Undated
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- Acetate Tape Reel
- Item 7: All for One, Undated
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- Acetate Tape Reel
- Item 8: Visions in Time, Undated
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- Acetate Tape Reel
- Box 3
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- Item 1: Menagerie, Undated
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- Acetate Tape Reel
- Item 2: Of Lineage, Undated
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- Acetate Tape Reel
- Item 3: Four for Flute (tape only), Undated
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- Acetate Tape Reel
- Item 4: Still Hidden Laughs - 30 IPS Master, Undated
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- Acetate Tape Reel
- Item 5: Lifepoints 30 IPS DBX Master, Undated
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- Acetate Tape Reel
- Item 6: Lifepoints with click 30 IPS DBX Master, Undated
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- Acetate Tape Reel
- Item 7: Hamlet - Main Performance - Reel 1, 1983
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- Acetate Tape Reel
- Item 8: Hamlet - Main Performance - Reel 2, 1983
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- Acetate Tape Reel
- Item 9: Tempest Album Master - Side 1, Undated
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- Acetate Tape Reel
- Item 10: Tempest Album Master - Side 2, Undated
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- Acetate Tape Reel
- Box 4
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- Item 1: Sense One, Undated
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- Acetate Tape Reel
- Item 2: Hamlet - Reel 1, Undated
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- Acetate Tape Reel
- Item 3: Hamlet - Reel 2, Undated
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- Acetate Tape Reel
- Item 4: Lifepoints 4 tk click, Undated
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- Acetate Tape Reel
- Item 5: Tempest performance tape, Undated
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- Acetate Tape Reel
- Box 5
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- Item 1: Time Pinnacle, Undated
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- Acetate Tape Reel
- Item 2: Menagerie ST, 1978
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- Acetate Tape Reel
- Item 3: Two Plus Two B.E.P., Undated
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- Acetate Tape Reel
- Item 4: Menagerie 15ST, Undated
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- Acetate Tape Reel
- Item 5: Comments on Two Plus Two, Undated
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- Acetate Tape Reel
- Item 6: Still Hidden Laughs - Master revised version, 1988
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- Acetate Tape Reel
- Item 7: Time Mark, Undated
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- Acetate Tape Reel
- Item 8: Time Mark, Undated
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- Acetate Tape Reel
- Item 9: Felo-de-se, Undated
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- Acetate Tape Reel
- Item 10: Trans, 1983
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- Acetate Tape Reel
- Item 11: Trans Quad 15, 1983
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- Acetate Tape Reel
- Item 12: Trans video version, 1983
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- Acetate Tape Reel
- Item 13: Two Plus Two DBX 15, Undated
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- Acetate Tape Reel
- Item 14: Time Mark with click, Undated
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- Acetate Tape Reel
- Item 15: Still Hidden Laughs, 1988
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- Acetate Tape Reel
- Item 16: Menagerie, 1978
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- Acetate Tape Reel
- Item 17: Campanille Audio Track Master, Undated
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- Acetate Tape Reel
- Box 6
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- Item 1: Private Play (8 track), Undated
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- ADAT Format
- Item 2: Private Play (8 track), Undated
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- ADAT Format
- Item 3: In the Arms of Peril, Undated
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- ADAT Format
- Item 4: On a Roll, Undated
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- ADAT Format
- Item 5: UIUC EMS, Undated
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- ADAT Format: FFF = Four for Flute, IAP = In the Arms of Peril, NV = Night Visitors
- Item 6: Early... Instrument with Electroacoustic Accompaniment Compositions by Scott A. Wyatt, 2017
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- CD Format: All for One, 1979; Three for One, 1981; Soundets (I. Legit, II. East, III. Five, IV. Funk), 1987; Vignettes (I. Ballad, II. Spritz, III. Waltz, IV. Turnabout, V. Blues), 1989; Lifepoints, 1990. Assembled in 2017.
- Item 7: Early Electroacoustic Music Compositions by Scott A. Wyatt, 2017
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- CD Format: Still Hidden Laughs, 1988 (Revised 1990); Inquiry, 1986; Circulation, 1986; Counterpoints, 1988; Private Play, 1997; Poems, 1986; Mask, 1986; Two Plus Two; 1975. Assembled in 2017
- Item 8: Electroacoustic Compositions by Scott A. Wyatt, 2017
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- CD Format: In the Arms of Peril, 2001 (Revised 2011); On a Roll, 2004; Time Mark, 1983 (Revised 2000); ...and nature is alone, 2005; A Road Beyond, 2007; ComLinks, 2010; all sink, 2012; Four for Flute, 1976. Assembled in 2017.
- Item 9: Soundets by Scott Wyatt (Tape Part), Undated
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- DAT Format
- Item 10: ID#1 -18dB ref. tone, ID#2 Soundets by S. Wyatt, Undated
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- DAT Format
- Box 7
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- Item 1: DBX Model 150X Unit
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- Box 15
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- Folder 10: Radial Matrix, 2006
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- DVD. Multi-dimensional electroacoustic music. Includes: "at other times, the distances" & "Messages from Ortigia" by James Dashow; "Camera Cantorum" & "The Other" by Richard Karpen; "In the Arms of Peril," "Time Mark" & "On a Roll" by Scott A. Wyatt.
- Box 16
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- Item 1: Felo-de-se Master, Undated
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- Acetate Tape Reel
- Item 2: Tempest performance tape, Undated
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- Acetate Tape Reel
- Item 3: collections I: electronic music with and without instruments - Scott A. Wyatt, 1979
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- LP Format; Side One: Four For Flute (1979); Side Two: Menagerie (1978), Two Plus Two (1975)
- Item 4: Skycon at Farmaid, 1985
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- U-matic video tape. Recorded by Moving Pictures Television and Production Services.
- Item 5: Circulation (for fixed media electroacoustic music), 1986
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- U-matic video recording. Music by Scott Wyatt, Lighting Design by Eric Van Tassell, Live Performance by Anja Hose and Tony Reimer. Master dup for Krannert Performance.
- Item 6: Real Illusion, 1987
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- U-matic video recording. Music by Scott Wyatt, with Edward Ulbrich and Hiedi Zeller. Labeled "Scott's Master".
- Box 17
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- Item 1: All for One (for Solo Percussion with Tape) - Master, 1979
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- 12'' Polyester Reel. Includes full score for All for One. 15 IPS.
- Item 2: American Helix - Master Tape 1, Undated
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- 12'' Polyester Tape. DBX Type 1.
- Item 3: American Helix - Master Tape 2, Undated
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- 12'' Polyester Reel. DBX type 1.
- Item 4: American Helix - Master Tape 3, Undated
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- 12'' Polyester Reel. DBX type 1.
- Item 5: Beyond the Lines - Master Tape 1, Undated
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- 12'' Polyester Reel. DBX type 1.
- Item 6: Beyond the Lines - Master Tape 2, Undated
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- 12'' Polyester Tape. DBX type 1.
- Item 7: Circulation, Undated
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- 12'' Polyester Reel. 15 IPS T.O. DBX 1.
- Item 8: On, Focus On - Master 1, Undated
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- 12'' Polyester Reel.
- Item 9: On, Focus On - Master 2, Undated
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- 12'' Polyester Reel. Includes audio engineer notes on dynamics and timings. 15 IPS T.O. DBX.
- Box 18
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- Item 1: Counterpoints - Master, 1992
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- 12'' Polyester Reel.
- Item 2: Four for Flute - Master, 1993
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- 12'' Polyester Reel. 15 DBX
- Item 3: Four for Flute - Re-Master, Undated
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- 12'' Polyester Reel. DBX
- Item 4: Time Mark - Glenn Schaft Master, Undated
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- 12'' Polyester Reel. 30 IPS
- Item 5: Time Mark - Schaft Sub Master, Undated
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- 12'' Polyester Reel.
- Item 6: Time Pinnacle, Undated
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- 12'' Polyester Reel.
- Item 7: Vignettes, Undated
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- 12'' Polyester Reel. 30 IPS
- Item 8: Visions in Time - Master Tape, Undated
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- 12'' DBX Reel (1/2'' tape).
- Item 9: Visions in Time - 8 Tracks, Undated
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- 12'' DBX Reel (1/2'' tape).
- Box 19
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- Item 1: FH 227 (Menagerie/Metal/Tran), 1990
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- 12'' Polyester Reel.
- Item 2: MTD - Master, Undated
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- 12'' Polyester Reel.
- Item 3: Time Pinnacle - Master, Undated
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- Master 12'' 3M Mastering Tape (1'' tape). Includes audio engineer notes on timings.
- Item 4: Trans, Undated
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- 12'' Polyester Reel.
- Item 5: Trans - Master 1, Undated
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- 12'' Polyester Reel.
- Item 6: Trans - Master 2, Undated
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- 12'' Polyester Reel.
- Box 20
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- Item 1: A Time of Being - Master, Undated
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- 12'' 3M Mastering Tape (1'' tape). Includes audio engineer notes on timings.
- Item 2: All for One - Master, Undated
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- 12'' 3M Mastering Tape (1/2'' tape). 30 IPS. DBX to 4 TK
- Item 3: Excerpts from Hamlet, Undated
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- 12'' Polyester Reel. 15 T.O. DBX.
- Item 4: L. Hobgood - Master, Undated
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- 12'' Polyester Reel. 15 IPS T.O. DBX type 1 encoded.
- Item 5: Visions in Time - Master, Undated
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- 12'' 3M Mastering Tape (1'' tape). Includes audio engineer notes on timings.
- Box 21
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- Item 1: 7 Channel, Undated
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VHS. 7 channel concert. Master. 44.1 kHz SR.
1:00 - Speaker Locations
3:00 - In the Arms of Peril
13:30 - On a Roll
- Item 2: 7 Channel, Undated
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ADAT. 7 channel back-up master. 44.1 kHz SR.
1:00 - On a Roll
10:00 - In the Arms of Peril
- Item 3: All for One, 1979
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- 6'' Polyester Reel. Performance copy. 15 IPS. Tail out.
- Item 4: All for One, 1984
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- 16'' Polyester Reel. Tape part only. Includes concert program from Krannert Center November 1984. 15 IPS. Tail out. Quad DBX.
- Item 5: All for One, Undated
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- 6'' Polyester Reel. Performance copy. 15 IPS. 15 ST. Tail out. DBX encoded.
- Item 6: All for One, Undated
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- 6'' Polyester Reel. DBX Master. Tape part. 2.75 HTS. Tail out.
- Item 7: All for One, Undated
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- 6'' Polyester Reel. Tape of Performance. Composition for Percussion and Tape. Tom Siwe, Percussion. Dolby B encoded. 15 IPS. Tail out. Dolby B encoded.
- Item 8: Audio from Marching Band - Love Medley, Undated
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- 6'' Polyester Reel.
- Item 9: Circulation, 1987
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- 6'' Polyester Reel. Includes program notes. 15 IPS. Tail out.
- Item 10: Counterpoints, 1992
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- 6'' Polyester Reel. Soprano saxophone, Debra Richtmeyer. Master of performance, recorded November 21, 1992. 15 IPS. HTS. Tail out. DBX I
- Item 11: Counterpoints, Undated
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- 6'' Polyester Reel. With click track. 15 IPS. Tail out. DBX I.
- Item 12: Counterpoints, Undated
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- 6'' Polyester Reel. Performance with live processing of soprano saxophone. 15 IPS. Tail out. DBX I.
- Item 13: Counterpoints, Undated
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- 6'' Polyester Reel. With saxophone part and click track. 15 IPS. Tail out. HTS. DBX Type I.
- Item 14: Counterpoints, Undated
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- 6'' Polyester Reel. Tape master. 15 IPS. Tail out. DBX I.
- Item 15: Counterpoints, Undated
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DAT Tape. Composition for soprano saxophone with tape accompaniment. Tape part. 48 kHz.
60 seconds of silence
30 seconds of 1 kHz at - 18 dB
30 seconds of silence
- Item 16: Counterpoints, Undated
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DAT Tape. Composition for soprano saxophone with tape accompaniment. Tape part. 48 kHz.
60 seconds of silence
30 seconds of 1 kHz at - 18 dB
30 seconds of silence
- Item 17: The Falcon, 1972-1973
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- 6'' Acetate Reel. Chamber Choir with other selections used for record. First: 3.75 IPS. Second: 7.5 IPS.
- Item 18: The Falcon, 1973
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- 6'' Polyester Reel. Chamber Choir Rehearsal. Lois WIlliams, Director. 7.5 IPS. 2 mm Half Track Stereo. Head out.
- Item 19: The Falcon, Undated
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- 6'' Polyester Reel. By IMA and SAI.
- Item 20: The Falcon, Undated
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- 6'' Polyester Reel.
- Item 21: Life Points, Undated
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- 6'' Polyester Reel. Electronic Realization. 15DBX.
- Item 22: Life Points, Undated
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- 6'' Polyester Reel. Master CD Performance. 15 IPS. HTS. DBX.
- Item 23: Life Points, Undated
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- 6'' Polyester Reel. With click. 15 IPS. Tail out. No DBX.
- Item 24: Life Points, Undated
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- 6'' Polyester Reel. Submaster. With click. 15 IPS. DBX.
- Item 25: On, Focus On, 1981
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- 6'' Polyester Reel. Includes program notes. For four channel tape. 15 IPS. Tail out. DBX type 1.
- Item 26: Poems of Far Space (Excerpts), 1988
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6'' Polyester Reel. Electronic composition for dance ensemble. Copy. 15 IPS. Tail out. Half Track Stereo.
I. Genesis 3'30''
V. Starfolk 3'30''
- Item 27: Soundets, 1987
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6'' Polyester Reel. In 4 movements. Composition for solo clarinet with tape accomp. Howard Klug, clarinet. Copy. 15 IPS. Tail out. Half track stero.
I. Legit 3'20''
II. East 3'26''
III. Five 2'24''
IV. Funk 2'05''
- Item 28: Soundets, Undated
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6'' Polyester Reel. Klug Performance Master. Duration 11:36. 15 IPS. Tail out. DBX.
Legit - 3:20
East - 3:26
Fire - 2:24
Funk - 2:05
- Item 29: Soundets, Undated
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- 6'' Polyester Reel. Master tape. Duration 11:36. 15 IPS. Tail out. DBX.
- Item 30: Soundets, Undated
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- 6'' Polyester Reel. Click Master. 15 IPS. Tail out. DBX.
- Item 31: The Tempest, Undated
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- 6'' Polyester Reel. Reel 1 of 2. Copy. 15 IPS. Tail out. Half track stereo.
- Item 32: The Tempest, Undated
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- 6'' Polyester Reel. Reel 2 of 2. Copy. 15 IPS. Tail out. Half track stereo.
- Item 33: This Moon, 1974
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- 6'' Polyester Reel. Live performance KCPA studio theater. For soprano, piano, and tape. Jean Giles, soprano. 2.0 mm half track stereo. 7.5 IPS. Stored head out.
- Item 34: Three for One, Undated
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- 6'' Polyester Reel. Tape part only. Copy. 15 IPS. Tail out. DBX Type 1. Half track stereo.
- Item 35: Three for One, Undated
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- 6'' Polyester Reel. Tape part only. Copy. 15 IPS. Tail out. DBX Type 1. Half track stereo.
- Item 36: Time Mark, Undated
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- 6'' Polyester Reel. Schaft Performance. Second generation. 15 IPS. DBX. Tail out.
- Item 37: Trans, 1983
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- 6'' Polyester Reel. Copy. 15 IPS. Tail out. Quad DBX I.
- Item 38: Trans, Undated
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- 6'' Polyester Reel. 15 IPS. Tail out. DBX. 7'40'' revised version.
- Item 39: Two Plus Two, 1975
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- 6'' Polyester Reel. KCPA perfrmance by Contemporary Chamber Players, Great Hall, July 21, 1975. 7.5 IPS. Tail out.
- Item 40: Two Plus Two, Undated
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- 6'' Polyester Reel. Performance. 7.5 IPS. Half track stereo. Tail out.
- Item 41: Two Plus Two, Undated
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- 6'' Polyester Reel. Tape of Performance. Composition for percussion and tape. Tom Siwe and Don Baker, percussion. Copy. 7.5 IPS. Tail out. Half track stereo and quarter track stereo.
- Item 42: Two Plus Two, Undated
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- 6'' Polyester Reel. Reg. Master Performance. 15 IPS. Tail out. Stereo.
- Item 43: Two Plus Two, Undated
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- 6'' Polyester Reel. Includes audio engineer notes on timings. Master. Tape Part. Dolby B. 15 IPS. Half track stereo.
- Item 44: Two Plus Two, Undated
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- 6'' Polyester Reel. Tape part only. Copy. 7.5 IPS. Tail out. Half track stereo and quarter track stereo.
- Item 45: Two Plus Two, Undated
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- 6'' Polyester Reel. Performances of Two Plus Two and Elegy. 7.5 IPS. Half track stereo. Stored tail out.
- Item 46: Two Plus Two, Undated
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- 6'' Polyester Reel. Protection Copy. 15 IPS. Tail out. Dolby A. Stereo.
- Item 47: Two Plus Two, Undated
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- 6'' Polyester Reel. WILL-FM Broadcast. 7.5 IPS. Half track stereo. Tail out.
- Item 48: Vignettes, 1989
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- 6'' Polyester Reel. Tape part. Copy. 15 IPS. Half track stereo. Tail out. DBX encoded type I.
- Box 22
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- Item 1: A Time of Being, Undated
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- VHS. Tape part: +00:06
- Item 2: A Time of Being, Undated
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- VHS. Tape part: +00:07
- Item 3: Aftermath, Undated
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- ADAT. Piece begins at 1:00 ABS. 48K sampling rate.
- Item 4: Four For Flute, Undated
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- DAT tape. Tape part. Composition for flute with tape accompaniment in four movements. Experimental Music Studios - University of Illinois - School of Music.
- Item 5: Four For Flute, Undated
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- DAT tape. Tape part. Composition for flute with tape accompaniment in four movements. Experimental Music Studios - University of Illinois - School of Music.
- Item 6: In the Arms of Peril, Undated
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- Master VHS. 48 kHz sampling rate. University of Illinois Experimental Music Studios.
- Item 7: In the Arms of Peril, Undated
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- Master VHS. 48 kHz sampling rate. University of Illinois Experimental Music Studios.
- Item 8: Mask, Undated
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Master DAT Tape.
id #1 - -18 dB ref. tone
id #2 - Mask
- Item 9: Vignettes, 1989
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- 6'' Polyester Reel. Tape part. Inclused auido engineer notes on Studio E layout and copy of Purchase Order. 15 IPS. Tail out. Half track stero. 2.75 mm track width. DBX encoded Type I.
- Item 10: Vignettes, Undated
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- 6'' Polyester Reel. CMS Tape. 15 IPS. Tailout. HTS. DBX Type I encoded. "O" VU ref. at head.
- Item 11: Vignettes, Undated
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- 6'' Polyester Reel. Master with click track. 15 IPS. Tail out. 2.75 mm HTS. DBX Type I.
- Box 23
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- Item 1: Aftermath, Undated
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- 1 GB Jaz Drive. In current and Private Play.
- Item 2: Aftermath, Undated
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- 1 GB Jaz Drive. Copy 2 of Aftermath in current SD files, Circulation, Inquiry, and Counterpoints.
- Item 3: In the Arms of Peril, 2002
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- 1 GB Jaz Drive. 4 and 8 versions + 2 Tk. January 18, 2002.
- Item 4: In the Arms of Peril, Undated
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- 1 GB Jaz Drive. Current 2 files from IAP.
- Item 5: In the Arms of Peril, Undated
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- 1 GB Jaz Drive
- Item 6: Night Visitors, 2002
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- 1 GB Jaz Drive. 8+4 versions. January 18, 2002.
- Item 7: Night Visitors, 2002
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- 1 GB Jaz Drive. All for One and Night Visitors (NV) 2 Tk version as of January 18, 2002 sent to SEAMUS
- Item 8: Night Visitors, 2002
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- 1 GB Jaz Drive. Second copy. 8 and 4 versions with Time Mark. Janury 18, 2002.
- Item 9: Night Visitors, Undated
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Master ADAT. UIUC Experimental Music Studios. 44.1 kHz sampling rate.
8-channel version at 1:00
4-channel version at 11:00
Channel distribution info at 22:00
- Item 10: Night Visitors, Undated
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- ADAT. Electroacoustic music designed for 8-channel performance [special 4-channel version]. 44.1 kHz sampling rate. Piece beings at 1:00.
- Item 11: Private Play, 2000
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- 1 GB Jaz Drive. 2 TK. After 8. March 29, 2000 version.
- Item 12: Radial Matrix, 2003
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DVD. Multi-dimensional electroacoustic music by James Dashow, Richard Karpen, and Scott A. Wyatt. Includes:
at other times, the distances by James Dashow
Messages from Ortigia by James Dashow
Camera Cantorum by Richard Karpen
The Other by Richard Karpen
In the Arms of Peril (2001) by Scott A. Wyatt
Time Mark (1983, revised 2000) by Scott A. Wyatt
On a Roll (2004) by Scott A. Wyatt
- Item 13: Three for One, Undated
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- 1 GB Jaz Drive. ProTools files and SD II files.
- Item 14: Time Mark, Undated
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- 1 GB Jaz Drive. All files for Time Mark. Includes All for One.
- Item 15: Time Mark, Undated
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- 1 GB Jaz Drive.
- Item 16: Time Mark, Undated
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- DAT tape. Tape part. Composition for solo percussion with tape accompaniment. Experimental Music Studios - University of Illinois - School of Music.
- Item 17: Visions in Time, Undated
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- 1 GB Jaz Drive. 322 Project 3. Includes Visions in Time (VT), Still Hidden Laughs (SHL), and FFF stero.
- Box 24
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- Item 1: A Time of Being, Undated
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- Master DAT Tape. CD Performance.
- Item 2: A Time of Being, Undated
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- DAT Tape. CD Performance
- Item 3: Changes, Undated
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- DAT Tape. Concert tape part.
- Item 4: Changes, Undated
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- DAT Tape. Tape Part.
- Item 5: Changes, Undated
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- DAT Tape. Tape Part.
- Item 6: Changes, Undated
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- DAT Tape. Tape part with click track.
- Item 7: Changes, Undated
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- DAT Tape. Excerpts for lecture.
- Item 8: Colliding Universes, Undated
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- DAT Tape.
- Item 9: Counterpoints, Undated
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- DAT Tape. Tape Part.
- Item 10: Excerpts, Undated
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- DAT Tape. Excerpts of FFF, Soundets, Time Mark, Visions in Time, Aftermath, and Skeletons.
- Item 11: Hotwire, Undated
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- DAT Tape.
- Item 12: Life Points, Undated
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- DAT Tape. Performance.
- Item 13: Life Points, Undated
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- DAT Tape. Tape Part. Revised, Original Master
- Item 14: Life Points, Undated
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DAT Tape. RevisedTape Part. 48 kHz.
ID #1: 60 seconds of silence, 30 seconds of 1 kHz at 18 dB, 30 seconds of silence
ID #2: Lifepoints accomp
ID #3: Production Master
- Item 15: Mask, Undated
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- DAT Tape. Production Master. Play ID #2 and 3.
- Item 16: Of Lineage, Undated
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- DAT Tape.
- Item 17: Private Play, Undated
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- DAT Tape.
- Item 18: Rumble, Undated
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- DAT Tape. ID #3.
- Item 19: Simmons Hits, Undated
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- DAT Tape.
- Item 20: Still Hidden Laughs / Mask, Undated
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DAT Tape. 45 kHz.
ID #1: 60 seconds of silence, 30 seconds of 1 kHz at 18 dB, 30 seconds of silence
ID #2: Still Hidden Laughs
ID #3: Mask
- Item 21: Still Hidden Laughs / Mask, Undated
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DAT Tape. 45 kHz.
ID #1: 60 seconds of silence, 30 seconds of 1 kHz at 12 dB, 30 seconds of silence
ID #2: Still Hidden Laughs
ID #3: Mask
- Item 22: The Tempest, 1984
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- Tape Cassette.
- Item 23: Time Mark, Undated
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- DAT Tape. Tape Part. Production Master.
- Item 24: Time Mark, Undated
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- DAT Tape. Andy Buchanana performance. 44.1 kHz sampling rate.
- Item 25: Unidentified, Undated
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- DAT Tape. Click Track.
- Item 26: Unidentified, Undated
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- DAT Tape. Copy of tape with conductor cues and click track.
- Item 27: Unidentified, Undated
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- DAT Tape. Copy of tape with light and conductor cues.
- Item 28: Unidentified, Undated
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- DAT Tape. Gong cymbal rolls.
- Item 29: Unidentified, Undated
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- DAT Tape. Time scaling examples.
- Item 30: Vignettes, Undated
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DAT Tape. Production Master. 48 kHz.
ID #1: 60 seconds of silence, 15 seconds of 1 kHz at 12 db, 15 seconds of silence
ID #2: 15 seconds of A440, 15 seconds of silence
ID #3: Vignettes accomp.
- Item 31: Visions in Time, Undated
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- DAT Tape. ID #5.
- Item 32: Visions in Time, Undated
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- DAT Tape. Original recording of Grad Chorale.
- Item 33: Visions in Time, Undated
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- DAT Tape. Performance. ID #1 Visions in Time performance.
- Item 34: Visions in Time, Undated
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- DAT Tape. Rehearsal and source tapes.
- Box 25
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- Item 1: All at Risk, 2004
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- DVD. Video presentation with electroacoustic music. Duration 9:00.
- Item 2: ... And Nature is Alone, 2005
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- CD. In memory of the victims of the Chernobyl accidentr on the 20th anniversary of the diaster. Stereo version (original is 8-channel).
- Item 3: CBS WCIA TV Report on the Experimental Music Studios, 1979
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- Video DVDR. Extra valuable video of Wyatt and students afterward. Taken from VHS video tape - hence the poor quality of the video presentation.
- Item 4: CDCM Computer Music Series Vol. 3, 1989
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- CD. Compositions by Salvatore Martirano, John Melby, Sever Tipei, Scott A. Wyatt, Herbert Brun, Carla Scaletti, and Dorothy Martirano (violin).
- Item 5: Circulation, Undated
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- DVD-R. Copy B from VHS.
- Item 6: Collections I, 1978
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- CD. Electronic music with and without instruments. Remaster from 33 1/3 RPM Vinyl record.
- Item 7: Collections I, 1978
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- CD. Electronic music with and without instruments. Remaster from 33 1/3 RPM Vinyl record. Copy 2.
- Item 8: Early Electroacoustic Music Compositions, 2017
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- CD.
- Item 9: Early Instrument with Electroacoustic Accompaniment Compositions, 2017
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- CD.
- Item 10: Electroacoustic Compositions, 2017
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- CD.
- Item 11: Farm Aid Concert, 1985
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![View associated digital content. View associated digital content.](themes/library_web/images/dl.gif)
- CD. September 22, 1985. Champaign, Illinois. Live recording of the first Farm Aid Sky Concert Finale (from local CBS TV news story) followed by the actual music recording master.
- Item 12: In the Arms of Peril, 2018
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- CD. March 2, 2018. WFMT 98.7 FM Chicago Classical Relevant Tones - Listening Party. 19 minute edited segment from original broadcast.
- Item 13: Music from SEAMUS Vol. 2, 1991
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- CD.
- Item 14: Music from SEAMUS Vol. 3, 1992
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- CD.
- Item 15: Music from SEAMUS Vol. 6, 1996
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- CD.
- Item 16: Music from SEAMUS Vol. 8, 1997
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- CD.
- Item 17: Music from SEAMUS Vol. 11, 2002
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- CD.
- Item 18: Music from SEAMUS Vol. 12, 2003
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- CD.
- Item 19: Music from SEAMUS Vol. 14, 2005
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- CD.
- Item 20: Music from SEAMUS Vol. 17, 2008
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- CD.
- Item 21: Music from SEAMUS Vol. 21, 2012
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- CD.
- Item 22: Music from SEAMUS Vol. 26, 2017
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- CD.
- Item 23: Poems of Far Space, 1986
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- Video DVDR. University of Illinois Dance perforamce of Scott Wyatt's Poems of Far Space (4 movements) choreographed by Patricia Knowles. Taken from VHS video tape - hence the poor quality of the video presentation.
- Item 24: Real Illusion, Undated
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- Video DVD-R. Copy B from VHS.
- Item 25: Risky Business, 2008
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- Video DVD of perforamce (no encore). A tribute to Nikola Tesla. Composition for electroacoustic music, live Continuum, and two Tesla Coils by Scott Wyatt and Mark Smart.
- Item 26: Risky Business, 2008
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- Video DVD of perforamce (no encore). A tribute to Nikola Tesla. Composition for electroacoustic music, live Continuum, and two Tesla Coils by Scott Wyatt and Mark Smart. Copy 2
- Item 27: Time Mark, 1992
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- Video DVDR. University of Illinois Expressions: Dance. Aired July 23, 1992 on PBS WILL-TV featuring Scott Wyatt's Time Mark, choreographed by Patricia Knowles. Dancers: Stuart gold and Bill Wagner. Percussion: Steve Butters. Perfromed at KCPA. Taken from VHS video tape - hence the poor quality of the video presentation.
- Item 28: Trans, 1983
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- Video DVD. Electroacoustic music. Video by David Colley and William Schaeffer. Part of the Illini Arts Series for Will-TV.
- Item 29: Trans, 1985
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- Video DVDR. Illini Arts - New Directions in Experimental Music - featuring EMS. 25th anniversary compositions. Taken from VHS video tape- hence the poor quality of the video presentation. The audio is not good toward the end of the program.
- Item 30: University of Illinois Annimated Logo, Undated
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- Video DVDR. By Ceasar Romero with music created by Scott Wyatt for Giving Hope: East St. Louis and the University of Illinois by the Office of Agricultural Communications and Education Information Services, directed by Randy McCabe. Taken from VHS video tape - hence the poor quality of the video presentation.
- Item 31: Visions in Time, 1994
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- Audio CDR. For six choral octets, percussion, and eight-channel electroacoustic music. Performed by the University of Illinois Grad Chorale, Fred Stoltzfus, conductor. Commissioned by the University of Illinois Krannert Center for the Performing Arts - for the occasion of KCPA's 25th Anniversary performances.
- Item 32: Visions in Time, 1994
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- Video DVDR. Commissioned by KCPA for its 25th anniversary - 13 perfromances from the (PBS) WILL-TV broadcast. Taken from VHS video tape - hence the poor quality of the video presentation.
- Box 26
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- Item 1: Experimantal Music Studios Compilation - Disc One, 1963-1968
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- CD. Seven Electronis Studies by Lejaren Hiller. Further compositions by R. A. Baker, Ben Johnston, Jaap Spek, Maryanne Amacher, James Tenney, and Herbert Brun.
- Item 2: Experimantal Music Studios Compilation - Disc Two, 1964-1985
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- CD. Compositions by James Beauchamp, Salvatore Martirano, Herbert Brun, John Melby, and the University of Illinois Contemporary Chamber Players.
- Item 3: Experimantal Music Studios Compilation - Disc Three, ca. 1985-2004
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- CD. Compositions by William DeFotis, Kyong Mee Choi, Paul Oehlers, Cyrus Pireh, Mei-Fang Lin, and Michael Drews.
- Item 4: Risky Business, 2009
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- Video DVDR. A tribute to Nikola Tesla. Composition for electroacoustic music, live Continuum, and two 7-foot Tesla Coils by Scott Wyatt and Mark Smart. Performance at the 2009 Society for Electro-Acoustic Music in the United States National Conference in Muncie, IN.
- Item 5: Time Mark, 2018
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- Video DVDR. Scott Wyatt's Time Mark, composition for solo percussion with electroacoustic accompaniment. Performed by percussionist Crystal Chu at the 2018 National Conference of the Society for Electro-Acoustic Music in the United States (SEAMUS), University of Oregon School of Music.
- Item 6: Trans, 1984
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- Video DVDR. For video with elctroacoustic music by Scott A. Wyatt. Part of the Illini Arts video series with short introduction by Scott Wyatt. Taken from analog U-Matic video tape.
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[Series 1: Non-commercial Sound Recordings, ca. 1978 - 2018],
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Series 2: Commercial Sound Recordings, ca. 1985 - 1987],
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Series 3: Scott Wyatt Experimental Music Studios Papers, ca. 1961 - 1998],
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Series 4: Personal Papers, 1975-2017],
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