Campus Folksong Club

In the spring of 1961, a Folksong Club emerged at the University of Illinois, organized by Dick Kanar and Vic Lukas.  Students who attended the first annual University of Chicago Folk Festival, they walked away determined to found a club on campus to study, exchange, and enjoy traditional folk music.1

This student-inspired organization was unattached to academic departments, the Illini Union, or student government.  As such, students were free to experiment with structure and techniques while founding the club.  Occasionally such novelty include gauche behavior or odd humor, such as the conclusion to the first Autoharp newsletter:  “Traditionally, when one is composing a first newsletter, there inevitably seems to be more paper than news. Autoharp, in accordance with its policy to present traditional material to you its reader endeavors to keep this tradition.”

Folk-sing Announcement
Record Series 41/65/1, Box 1, Folder “Posters, 1961-65”

Folksongs and concerts formed the core activities of the club, but Autoharp–their recently digitized newsletter–was issued shortly after its founding to keep members informed and to give them a forum for opinion and criticism.  They offered regular jam sessions, folk-sing, as well as guitar and banjo lessons to interested students.

A folklore seminar series was also established in the spring of 1963 that brought lecturers to campus to compliment their concert-folk sing program. The list of musicians brought to Illinois is impressive, including, but not limited to:  The New Lost City Ramblers, Brownie McGhee and Sonny Terry, Doc Watson, Curtis Jones, Jimmie Driftwood, George and Gerry Armstrong, Sleepy John Estes, Lester Flatt and Earl Scruggs and the Foggy Mountain Boys, Ellen Stekert, Joe Glazer, and Big Joe Williams.

Concert Announcement
Record Series 41/65/1, Box 1, Folder “Posters, 1961-65”

As a testament to the strength of this fledgling organization, the club issued a record featuring 18 folk songs by the Philo Glee & Mandolin Society to show that the club, despite being  deprived of academic guidance in the folk arts, “could learn to recognize and appreciate traditional music and to make artistic judgments about it.”

After the successful release of their first recording in 1962, the club turned their attention to traditional musicians in Central and Southern Illinois.  Club members met and worked with townspeople, exchanged songs and techniques, shared experiences, and eventually released Green Fields of Illinois, one of the first recordings of folk music in Illinois.


1. All information in this post taken from Campus Folksong Club Records, 1961-70, Record Series 41/65/1, Box 1, University Archives.

This entry was posted in Found in the Archives, University Trivia and tagged , . Bookmark the permalink. Trackbacks are closed, but you can post a comment.
  • Christine Breen

    I am so pleased to see the articles for Autoharp! Doyle A. Moore (one of the clubs original board members) wrote and published a description of the Autoharp during his time spent in the Campus Folk song club. Doyle A. Moore is still living in Champaign. I have several interviews with Doyle about the records for Campus Folksong club and other interesting discussions. Doyle Designed the covers for the albums put out by the Campus Folksong club and many covers for Folkways through his friendship with Mike Seegar. Doyle tells some great stories about how they actual got some of these hillbilly musicians to come to Champaign for performances. Doyle was also one of the musicians on the first record put out by the Folk Song Club. Doyle is a special mentor to me and one of the reasons I pursued Old Time on the banjo. He gave me the original artwork for the cover of Philo Glee and Mandolin Society’s album. Anyone interested to know more feel free to contact me. I so love the admission price to get into the concerts
    and lectures….$1.25, you too can make tens of dollars in old time music:) Christine Breen

    • Angela Jordan

      Thanks for sharing, Christine!

  • This is a real treasure trove of material for scholars of the folk revival — so wonderful to see some of the rich musical legacy of Urbana-Champaign preserved in this way!

    • Angela Jordan

      I’m so glad you shared this link with other people who might be interested!

  • Gloria Fenner

    Sad to say, I just heard from Jim Hockenhull that Doyle Moore died yesterday (May 13, 2013) at the age of 82.

  • iimb digital

    IIMB has developed an extensive International Students Exchange Network. The Exchange Programme has become increasingly popular with … to not less than 120 contact hours over the exchange term. A student can take credit for a maximum of 30 additional contact hours beyond

Staff Resources | Log in