The Electrical Show: Inventions of the Past, Present, and Future Revealed

1928 Electrical Show program, Record Series 11/6/805.
1928 Electrical Show program, Record Series 11/6/805.

In 1907, students from the Department of Electrical Engineering participated in a campaign to raise funds to build a memorial to Robert Fulton in New York City.[1] In order to contribute to this effort, Electrical Engineering students organized exhibition that displayed their work. Attracting 1,600 visitors and raising $250 to contribute to the Fulton memorial, the event would serve as the first Electrical Show. [2] As it expanded each year, the show was soon considered the “acme of development in electrical apparatus and experiments,” with its exhibits ranging from displays of practical items to spectacular and literally shocking devices.[3] While some of the exhibits illustrated futuristic items that could one day transform daily life, others sought to simply demonstrate how such inventions as the telegraph worked or to display new and improved household items. Programs from the 1910 and 1915 Electrical Shows mention exhibits on wireless telegraphy, vacuum cleaners, electric pianos, an “Electric Cafe,” and “the Wonder Tube”–the longest light on the university’s campus. A promotional video for the 1938 Electrical Show also promised to feature “man-made lightning,” “electrons at work” and a “kiss-o-meter”:

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Unofficial St. Patrick’s Day: The Official Story

2014 will be the 20th year of displaced St. Patrick’s Day festivities, and the University Archives blog is marking the occasion by reviewing the official origins of an unofficial celebration.

WPGU staff pose for the camera during the Shamrock Stagger Found in RS 41/8/805, 1996, p. 314
WPGU staff pose during the Shamrock Stagger
Found in RS 41/8/805, 1996, p. 314
(c) 1996 Illini Media Company

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Black Power on Campus, 1968-1969

Despite the Brown v. Board of Education decision in 1954 that declared state laws establishing separate public schools for black and white students unconstitutional, de facto segregation persisted without sanction of law.  Throughout the country in the late 1960s and early 1970s, African American college students participated in social movements to influence institutions of higher education that systematically marginalized minorities. Encouraged by Black Power, a political movement that emphasized creating black political and cultural institutions to promote black collective interests and values, students across the country demanded fundamental changes to campus curricula, policies, and structure. Institutions of higher education went through a period of rapid educational reform during this time, not only because of legislative mandates and administrative policies, but as a result of social pressure.

Champaign-Urbana’s attitude towards race in the early and mid-twentieth century had more in common with the south than its northern neighbors: restaurants, barbershops, and theaters remained segregated through the mid-1960s. Conforming with the surrounding culture, University residence hall housing remained unavailable to African Americans until 1945. Of the 30,000 students on campus in 1967, approximately 300 were African American. [1] According to Joy Williamson, “Black students of the Black Power era entered an environment that was at best benign and at worst overtly hostile” at the University of Illinois. [2] 

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The time has come, the Walrus said…

Besides the long-running Daily Illini, the University Archives has numerous lesser-known student newspapers.  Since the early years of the University, students regularly published alternative newspapers and magazines. These short-lived newspapers documented student reactions to University issues as well as larger socio-political events.

Walrus Masthead, October 13, 1972

Alternative newspapers became popular in the 1960s and 70s as the country experienced great social and institutional unrest. Forty-six years ago this month, students dissatisfied with country’s involvement in the Vietnam conflict and the slow pace of institutional change founded the Walrus, an underground newspaper published until 1973. Continue reading “The time has come, the Walrus said…”

Monument Man: Illinois Professor Saved European Art

February 7 is the release of George Clooney’s The Monuments Men–a story of men and women locating, protecting, and saving art, monuments, and archives during World War II. The University of Illinois’ own Dr. Edwin Carter Rae was a Monument Man, and his story can be found in the University Archives.

box_17_album_lowres_page31
A Disheveled Room with Damaged Art, Edwin C. Rae Papers, Album, Box 17, Record Series 12/03/26.

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